REVIEWS

BEYOND THE BACKYARD is a cultural and cricketing fly-on-the-wall doco that takes a very Australian journey through the mayhem of India’s cricketing heartland. Following the adventures of the Guild Cricket Club is a treat for both sexes to enjoy, it deliveries an array of scenary and settings in which these grown-up school boys find themselves playing in. SmileSmileKissKiss

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The Rolling Stones led us toward greater individualism

"...you will see how the postmodern western cultures of the UK and US, where being radically transformed from conservative to liberal social states, in which individualism and free expression was exemplified in the personalities of Mick Jagger...."

 
WHAT'S ON

An exciting and varied cross-section of arts events from metropolitan and regional Australia.

 

Hosted by Michelle Hanna

 

DEC-FEB 09
Adelaide Fringe Festival
AdelaideFringe When: 27 Feb-22 Mar
Where:
Various locations around Adelaide
Tickets:
Free and ticketed
Ph:
08 8100 2000
www.adelaidefringe.com.au

A Streetcar Named Desire
aStreetCar Queensland Ballet
When:
28 Mar - 8 April
Where:
QPAC, Brisbane
Tickets:
$40-$67
Ph:
07 3013 6666
www.queenslandballet.com.au

Bugatti
bugatti Carlo Rembrandt Ettore Jean
When:
6 Feb – 26 Apr
Where:
National Gallery of Victoria
Tickets:
Free
Ph:
03 8620 2222
www.ngv.vic.gov.au

Canberra Festival
canberraFestival When: 7-15 Mar
Where:
various locations across Canberra
Tickets:
Free and ticketed events
Ph:
13 22 81
www.events.act.gov.au

Chicago
chicago When: From March 19
Where:
Brisbane Lyric Theatre (and Sydney Lyric Theatre from May 19)
Tickets:
From $69.90
Ph:
1300 795 267
www.chicagothemusical.com.au

Connecting With The Country
CONNECTING-WITH-COUNTRY Lockhart River Art Gang
When:
30 Jan-15 Mar
Where:
Cairns Regional Gallery
Tickets:
Free
Ph:
07 4046 4800
www.cairnsregionalgallery.com.au

Chopin & Schubert
chopinAndSchuWASO West Australian Symphony Orchestra
When:
13-14 Mar
Where:
Perth Concert Hall
Tickets:
$20-$85
Ph:
08 9326 0000
www.waso.com.au

Degas: Master Of Art
Degas When: 12 Dec -22 Mar 09
Where:
National Gallery of Australia, Canberra
Tickets:
$20/$15
Ph:
02 6240 6411
www.nga.gov.au
French Film Festival
frenchFilmFestival When: 4-19 Mar
Where:
Various cinemas across Sydney (Melbourne 5-20 Mar, Canberra 18-29 Mar, Brisbane 19-29 Mar, Perth 25 Mar-5 Apr, Adelaide 26 Mar-5 Apr)
Tickets:
$17/$12.50
Ph:
07 3013 6666
www.frenchfilmfestival.org

Junk Theory
junkTheory Ten Days on the Island and Big Art
When:
27 Mar-5 Apr
Where:
Constitution Dock 27 Mar, Kingston Beach 28 Mar, Old Beach 29 Mar, Huonville 30 Mar, Bellerive 31 Mar, Gravelly Beach 2 Apr, George Town 3 Apr, Launceston 4-5 Apr
Ph:
03 6234 8414
www.tendaysontheisland.org

Life in the New World

lifeInTheNewWorld When: 17 Mar - 17 May
Where:
Australian Centre for Contemporary Art, Melbourne
Tickets:
Free
Ph:
03 9697 9999
www.accaonline.org.au

Madama Butterfly
madameButterfly Opera Australia
When:
Until 23 Mar 09
Where:
Sydney Opera House
Tickets:
$68-$256
Ph:
02 9318 8200
www.opera-australia.org.au

Master Series Concert 2
mastersSeriesConcert2 Melbourne Symphony Orchestra
When:
12-14 Mar
Where:
Hamer Hall, Melbourne
Tickets:
$80-$155
Ph:
03 9626 1111
www.mso.com.au

Metamorphosis
metamorphosis Ten Days on the Island
When:
26 Mar-1 Apr
Where:
Theatre Royal, Hobart
Tickets:
From $28/$23
Ph:
03 6234 8414
www.tendaysontheisland.com

Mozart Requiem
mozartRequiem Australian Brandenburg Orchestra
When:
27 Feb - 7 Mar
Where:
City Recital Hall, Sydney
Tickets:
From $54/$26.50
Ph:
02 9328 7581
www.brandenburg.com.au

Spencer Finch
spencerFinch When: 28 Feb-8 Jun
Where:
Gallery of Modern Art, Brisbane
Tickets:
Free
Ph:
07 3840 7303
www.qag.qld.gov.au

Ten Days on the Island
tenDays When: 27 Mar-17 Feb
Where:
various locations around Tasmania
Tickets:
Free and ticketed events
Ph:
03 6233 5700
www.tendaysontheisland.org

The Alchemist
theAlchemist Bell Shakespeare Company
When:
23 Feb - 14 March
Where:
Queensland Performing Arts Centre, Brisbane
Tickets:
From $40/$30
Ph:
07 3840 7444
www.qpac.com.au

The Big Picture
theBigPicture Perth Theatre Company
When:
19 Mar-4 Apr
Where:
Subiaco Arts Centre Studio
Tickets:
$35/$27.50
Ph:
08 9323 3433
www.perththeatre.com.au

The China Project
theChinaProject When: 28 Mar-28 Jun
Where:
Gallery of Modern Art, Brisbane
Tickets:
Free
Ph:
07 3840 7303
www.qag.qld.gov.au

The Golden Age Of Couture
GOLDEN-AGE-OF-COUTURE Paris and London 1947-1957
When:
7 Dec-22 Mar
Where:
Bendigo Art Gallery, VIC
Tickets:
$16.50/$12
Ph:
03 5434 6088
www.bendigoartgallery.com.au
The Golden Journey
theGoldenJourney Japanese Art from Australian Collections
When:
6 Mar - 31 May
Where:
Art Gallery of South Australia
Tickets:
$12/$10
Ph:
08 8207 7000
www.artgallery.sa.gov.au

The Removalists
theRemovalists When: 31 Jan - 29 Mar
Where:
Sydney Theatre
Tickets:
$30-$75
Ph:
02 9250 1777
www.sydneytheatre.com.au

Setting The Scene
Setting-the-Scene Film Design from Metropolis to Australia
When:
4 Dec 08 - 19 April 09
Where:
Australian Centre for the Moving Image, Melbourne
Tickets:
$15/$10
Ph:
03 8663 2200
www.acmi.net.au
Three Dog Night
threeDogNight Two Blue Cherries
When:
31 Mar - 9 Apr
Where:
Adelaide Festival Centre
Tickets:
$45/$25
Ph:
08 8216 8600
www.twobluecherries.com

Travesties
travesties Sydney Theatre Company
When:
9 Mar- 25 Apr
Where:
Sydney Opera House
Tickets:
$30-$85
Ph:
02 9250 1777
www.sydneytheatre.com.au

we unfold
weUnfold Sydney Dance Company
When:
31 Mar - 11 Apr
Where:
Sydney Theatre
Tickets:
$20-70
Ph:
02 9250 1999
www.sydneydancecompany.com

Wollongong Gallery's 30th
Wollongong-30th-anniversary Anniversary Exhibition
When:
4 Dec 08-15 Mar 09
Where:
Wollongong City Gallery
Tickets:
Free
Ph:
02 4228 7500
www.wollongongcitygallery.com
Womadelaide
womadelaide When: 6-8 Mar
Where:
Botanic Park, Adelaide
Tickets:
$210/$165
Ph:
08 8271 1488
www.womadelaide.com.au

Wonderlust
WONDERLUST When: Ongoing
Where:
Art Gallery of Western Australia
Tickets:
Free
Ph:
08 9492 6600
www.artgallery.wa.gov.au/

JOAN SUTHERLAND
JOAN_SUTHERLAND-P2091

JOAN SUTHERLAND Hardly any singer of our time has boasted such an uninterrupted and brilliant career as the Australian soprano, Joan Sutherland. Once described by Pavarotti as the “voice of the century”, her incredible career has spanned more than forty years, reinvigorating the bel canto repertoire and stunning audiences with a voice of beauty, power and extraordinary agility. Despite her international renown, and countless honours including Dame of the British Empire in 1979, Sutherland remained an uncompromising and truly inspirational talent.

Sutherland was born in Sydney, and sang various roles in her hometown before making her European debut at the Royal Opera House Covent garden as the First Lady in the Magic Flute in 1952. Soon Sutherland’s talent took her all over Europe, building a prestigious reputation as a soprano in the great traditions of Milbran, Grisi and other great primadonnas of the 19th century. She debuted at La Fenice, Venice in 1960, gaining the nickname ‘La Stupenda’ or The Glorious One, then at La Scala Milan in 1961 in the title role of Bellini's Beatrice di Tenda. Since 1963 she has worked almost exclusively with husband and conductor Richard Bonynge, whose expert direction has seen her career advance and survive for more than forty years. Teaching her to move and act, his instruction released her passion and allowed her to deliver the extraordinary performances which lead to her international fame.

During the 1960s she played many of the greatest heroines of the bel canto reportoire, from Violetta in Verdi’s La Traviata to Marie in Donzetti’s La Fille de Regiment, and lesser-known roles such as Donizetti’s Maria Stuarda in 1971 and Lucrezia Borga in 1972. The support she offered these more obscure operas rescued the works from being wholly forgotten, and paid a true gift to the operatic arts. Joan Sutherland – The Reluctant Primadonna charts the compelling story of this talented and legendary star. For more information or to grab your copy of this fascinating DVD visit www.ovationshop.com.au

JAPANESE FILM FESTIVAL

ITS EDAMAME AND KARAAGE TIME and there are few Film Festivals in this country which manage to maintain a unique balance between idiosyncratic pop-cultural flamboyance and compelling cinematic indulgence. The Japanese Film Festival, now years old is one such Festival. Over the past few years the JFF has proven to be not only a commercial success but a highly anticipated event on the festival circuit.

Part of its success is obvious; Australia has a cultural fascination with Japan, a country whose fierce identity finds itself threatened by the very social dogma that made it a subject of curiosity in the first place. Japan’s psyche has long been fractured, torn between post war American influences, a cultural concern over the degradation of moral and traditional values from its pre-war culture and its struggling, disillusioned youth unprepared for the ceremonial trenches of the workforce.

Hosted by The Japan Foundation, with the support of Japan’s Consulate-General, the 2008 Japanese Film Festival includes a diverse program of films, ranging from hard edged drama (Memories of Tomorrow staring Ken Watanabe), subtle period pieces (Yôji Yamada’s Love & Honour), compelling mysteries (After School), outlandish comedies (The Quiet Room and Executive Koala), animation (the acclaimed award winning The Girl Who Leapt Through Time), fantasy (Monster X Strike Back) and heartbreakingly poignant masterpieces that demand to be seen on the big screen (Always: Sunset on 3rd Street and its sequel being two of the finest and most assessable Japanese films to come along in quite a while). The Festival will include a full program at Melbourne’s ACMI kicking off on November 27 before opening in its hometown of Sydney on December 2
with screenings in Perth, Brisbane and Canberra. For details on films, dates and the 2008 program visit www.jpf.org.au. James Fletcher
ROLLING STONES- SHAPING CULTURE
THE  STONES SHAPED OUR CULTURE

Most rock industry critics claim The Rolling Stones are the greatest Rock and roll Band in the world. Why? Longevity and popularity combined, in an ongoing career stretching back to 1962 when they took London's Marquee Club by storm.

By 1969, the Stones were the biggest live draw in the world. Yet they flew in commercial planes, eschewed five-star hotels for friends’
houses, and had only 11 people in their entourage “There was nothing prima-donna-ish about them,” says  Ethan Russell photographer who was invited to go on tour with them — and witnessed things he’d never forget. “Backstage they’d hang out with musicians: Janis Joplin, Jimi Hendrix, Tina Turner, Chuck Berry. It was all about the music.”

It was all about the music then, true, but also timing. In this documentary you will see how the postmodern western cultures of the UK and US, where being radically transformed from conservative to liberal social states, in which individualism and free expression was exemplified in the personalities of Mic Jagger and Keith Richards. The Stones fitted themselves perfectly into this developing culture. Then, they were the “bad boys” of rock; the “anti-Beatles” brigade; the defiant rockers you wouldn’t dare take home to mummy or daddy. Their first album (cut in one day) has great raw energy and passion, but their live shows as they are today were terrific. They have inspired melody and spasmodic mayhem in millions, from Hell’s Angels security guards in their 1972 American tour, to the upper crust of the British establishment. In this lively program we hear from their contemporaries, fans and critics about the songs, the scandals, ...the crises and the excesses and we see the news footage and interviews that helped make The Rolling Stones, roll  - with over 24 albums and 437 songs.... a must see documentary, from a musical and social anthropological point of view.

James Fletcher

IN A WORLD OF IMAGINATION

 

 

 

 

 

 

 

 

LEARNING IMAGINATION? more...

In a world of imagination- Peter Craven (05/10/08) writes in the AGE, that "The weird thing about the spoken word is that we remember it better. We learn things by heart by hearing them." He then quotes Marshall McLuhan, the thinker who apparently analysed the media most deeply, who asserts "that television is a cool medium whereas radio is a hot one." Not that there is anything inherently bad about radio, but before we accept such a gospel message, what do the fields of neuroscience and adult education have to say on the matter.

Completely the opposite, in general people learn by one or two methods of receptive input, visual, aural and kinetic (active doing), according to the renowned researcher Barsch. Your preference for a learning style depends on genetic and environmental factors, that might include the design of the learning environment, emotional and sociological factors (peer pressures and self esteem for example). In fact David A. Kolb created a famous model of learning (see the above diagram) out of four elements: concrete experience, observation + reflection, and the formation of abstract concepts and testing in new situations. He represented these in the famous Kolb Learning Cycle. Learning and knowing how to think aids more in understanding and appreciation of the great literary works of Shakespeare, Joyce, Proust or even the Old Testament, as quoted by Craven. What do you think?  Have your say. Click on the topic under the BLOG heading on the left and write a comment or about an experience ??

Charles Simpson

PAVAROTTI

A NEW  PAVAROTTI?

Luciano Pavarotti was a one-of-a-kind superstar in contemporary opera. His name remains synonymous with modern opera and his memory continues to inspire today’s pariahs and tomorrow’s rising stars. But since his untimely demise at the hands of pancreatic cancer in September of 2007 the entertainment world has felt a void, one that continues to see the classical scene pull back in on itself. But is there a new Pavarotti in the wings?

Despite performing  with numerous celebrities to help celebrate the world of Opera with a much more mainstream audience he always remained faithful to the art, resisting the urge to indulge the murky waters of the crossover genre which is currently garnering chart success; an attribute that deserves to be applauded, but one that seems near impossible for today’s young talent to emulate in the multi-media driven entertainment industry that measures success through sales results. If a successor to the thrown has yet to step forward, then who would the champion of the High-C himself has chosen. Pavarotti mentored and endorsed more than one young tenor, including Salvatore Licitra who fulfilled Pavarotti’s stage duties at what was to have been his last performance at the Met. "I'd be glad to be the next Pavarotti, because he gave opera a great gift in getting everyone to learn more about it," remarks the young prodigy. Yet, Pavarotti also endorsed others including Marcelo Alvarez, Roberto Alagna, Mexico's Rolando Villazon and Peru's Juan Diego Florez, all of whom have yet to succeed in such flamboyant style as the master.

Are audience’s ready, or willing, to replace Pavarotti with the likes of Il Divo or Russell Watson? Do they continue to decay the purity of opera by relying on technical recordings over live performance? I will just wait until that unique blend of voice and presence; the same that allowed Pavarotti to connect us all with the magic of opera, rises from the ashes and sings again.        James Fletcher

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